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  1. the Senior Program Advisor of the Prohibited Importations Unit of CBSA approved entry of the book stating in a letter, "these depictions are integral to the development of an intricate, imaginative and artfully rendered storyline," and, "the portrayal of sex is necessary to a wider artistic and literary purpose." Moore states that the storm of criticism which he and Gebbie expected did not materialise, which he attributes in part to his design of Lost Girls as a "benign" form of pornography (he cites "people like Angela Carter who, in her book The Sadeian Women... the possibility [of] a form of pornography that was benign, that was imaginative, was beautiful, and which didn’t have the problems that she saw in a lot of other pornography" Moore speculates that "if we’d have come out and said, 'well, this is a work of art,' they would have probably all said, 'no it's not, it's pornography.' So because we're saying, 'this is pornography,' they're saying, 'no it's not, it's art,' and people don't realise quite what they've said." In the UK, graphic artists and publishers feared that the book could be illegal to possess under the Coroners and Justice Act, which criminalises any sexual image depicting a "child", defined as anyone appearing under the age of 18.